On the Chair

The smell of you, the citrus salt of your body as I come to focus, and know that now I can, now I can touch you, and I make sense. The sharp blue of your eyes as they blur, still blue in the blur, hints now instead of jabs, blurring because you're too close to see. Don't need to see you when you're this close, I guess. Just bodies and savory now. The heat of you in the magnet, over the barrier, into the wet. And there I need every part of you to flatten out and surround me, untouched parts bitter and indignant. Pull your hips closer, your arms tighter, your shins bent into my thighs.

The feel of the string in your sweatpants, the worm loosened and the soft cotton lowered over your ass. You say you want to wear dresses more, that being around these girls makes you feel like a lesbian, sitting on a chair with your legs apart, knots in your hair untangled in your fingers, but then I wouldn't have this loose softness to contrast your skin, and find your skin better, and feel it make contact with that on my thighs. It's soft before it's sticky, a glue between us, natural as the one in my mind.

I enter you awkward and bent, a pop of straightening inside. There. Your hands on my shoulders. There. Home. What do we do when we're not doing this? What's out there that's so fucking important? I don't even want to move, don't want to arch, don't want to feel myself leave you ever again.

You've put a picture of us on your radiator, to mingle with your oldest friends and your dead relatives. I balked when I saw it, ready to comment on it, but it's true that you've put my old friends and dead relatives in your shadow. My shoulders fell and I got a shot of that drug in my diaphragm. I can see it now, pressed into this chair by the weight of you. It opens like origami in my chest.

I didn't notice that you've started to move on me, your teeth in my shoulder, slippery and sharp. Sex jumps in me like a dog invited for a walk. In and you groan tight around me, out and you take it away. Fuck me. My neck bends back over the back of the chair, and I inhale quick, oxygen to red the blood. It pumps around me, curling my toes and shuddering the back of my shins against the crosspieces between the chair legs. The ball rolls uphill, spiky and suction-cupped. Fuck me.

My hands hold you to me by the backs of the neck and hips. I'm drawing my drug out of you, the wine of sex and mourning. It's meeting, its parts jigsawing together between us and the ball jumps the ramp, suicides off the other side of the hill. My eyes fill with stars and air and we meet, our bodies flattened and surrounding each other. No parts of us left untouched.